Hamlet

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Although Puar recognizes the ways by which equivalence and identity are at work within neoliberal capitalist economies, she
challenges this pairing through an examination of the processes of capability and
debility that exceed the category of disability. If, following Adorno, we place disability in a constellation with feminist
philosophy of disability and adverse dialectics, we arrive at a place where disability idea is produced in response to a defective world.

That is, disability is conceived in relation to the capitalist
mode of production, whereby trade worth and equivalence leads to conceptual
frameworks of identity and sameness. In negatively approaching incapacity, we don't arrange new ideas, but
reasonably relate old concepts to one another so as to indicate what has
been left out of the conceptualization-what conflicts.
The duty of the critic is to illuminate cracks within the totality,
moments of disharmony, and discrepancy. This,
then, is exactly the place suffering enters the image.

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